musical Theatre is more than just jukebox revues, animated cartoons with people, and revivals of revivals.
“Hello, Dolly!”
this ain’t.
Following the remarkable life of German author and screenwriter THEA VON HARBOU, Woman in the Moon explores ideas and issues, including how women are often forced to sacrifice their careers for men, whether any artist can find integrity in a despotic society, the cost of becoming involved or not becoming involved in social change, and the ultimate price of fame.
And it’s entertaining.
synopsis
Harbou at the height of her career as an actor.
A Young Fritz Lang.
Act One
In the Penitentiary of Time Museum, a docent introduces three incarnations of Thea von Harbou: the Author, the Celebrity, and the Survivor. Visitors’ questions awaken these avatars, transporting us to the past. Thea sells her first story as a child and her first novel as a teen. In her twenties, she acts successfully while writing best-sellers. She marries actor Rudy Klein-Rogge, who demands she quit acting to focus on writing. After WWI, Rudy enters cinema and pressures a reluctant Thea into writing a screenplay. The experience transforms her; she realizes movies are her destiny. Soon paired with Fritz Lang, she finds him repulsive, but their creative synergy is magic. She divorces Rudy and marries Fritz, who demands her screenwriting exclusivity. Their 1920s films bring them global fame, but Fritz's serial infidelity guts the marriage. In 1933, she meets her true love, young Indian academic Ayi Tendulkar. She divorces Fritz just as the Nazis seize power and they face an uncertain future.
Act Two
Thea must navigate strict filmmaking rules imposed by Josef Goebbels, who bans thought-provoking art in favor of pure entertainment. She cleverly works around the system to maintain her artistic integrity. In 1938, Nazi miscegenation laws force her to send Tendulkar back to India. She stays close to Berlin's Indian community, who pressure her to join the Nazi party to gain leverage to protect them. After the war, she is arrested (along with all Party members) and banned from cinema for almost four years. Stripped of her celebrity and her livelihood, she performs a heroic act: voluntarily becoming a Trümmerfrau to clear Berlin's heavy war rubble by hand. When the ban lifts, she returns to film work. In 1954, she is finally honored at the Fourth Berlinale. Leaving the event—the recognition she deserves almost within her grasp—she tragically falls, breaks her hip, dying two days later. We return to the museum, where her monumental legacy remains largely forgotten today.
Ganpat Tendulkar and Thea von Harbou
Harbou as a Trümmerfrau
Sample the Music
This link plays a recording (no voices) of the Prelude to the show in order to give you a sense of the score’s lyrical beauty.
Award-winning creators composer John Mucci and author Richard Felnagle have have utilized decades of theater and television experience to craft this two-act play requiring a minimum cast of six women and four men.